Thomas and Brett talk about Blade Runner, getting into its attack upon the boundaries of the human and its prevalent Illuminati symbolism. Differentiating Philip K. Dick’s ill-fated Gnostic impulses from Ridley Scott’s overt promotion of the superclass worldview, they contrast the source material and the film, also noting key distinctions between the several cuts of the movie. Blade Runner turns out to be a standard Hollywood sci-fi vehicle for Luciferian transhumanism.