Thomas and Brett talk about Blade Runner, getting into its attack upon the boundaries of the human and its prevalent Illuminati symbolism. Differentiating Philip K. Dick’s ill-fated Gnostic impulses from Ridley Scott’s overt promotion of the superclass worldview, they contrast the source material and the film, also noting key distinctions between the several cuts of…
The Terrence Malick series continues with The New World, Malick’s depiction of the Pocahontas story. Thomas and Steven analyze the film’s treatment of religion, romance, and civilization, while continuing to consider the extent to which Malick’s mystical themes are Christian. They discuss philosophical questions raised by the film regarding religious pluralism and phenomenology. See more…
An extended preview of the most in-depth content yet from Brett’s Monarch series. In clips from three full length Patreon-only episodes, Brett details his research on the nightmarish 1985 children’s film Return to Oz. This preview of the Monarch subseries provides information on the history of Wizard of Oz programming, the occultic career of of…
Geoff Shullenberger joins us for an analysis of the recent David Gordon Green Halloween trilogy. He discuses a Girardian reading of Halloween Ends as well the “lab leak theory of Michael Myers.” Is the 2018 film correctly read as based and right-wing, or is it more of the same MK-culture fetishization of trauma? Why is…
We continue through the Halloween franchise, this time joined by Sean McCann to discuss the strange cult classic Halloween III: Season of the Witch. This unique entry in the series showcases some intense revelation of the method in its combined depiction of technology, witchcraft, and corporate media. We discuss the significance of Samhain and demonic…
We are joined by Paul and Phillip Collins to discuss John Carpenter’s Halloween, in the first of three episodes on the Halloween franchise. They explain the apotheosis of Michael Myers, how this archetypal slasher fits into the occult transhumanist project to transcend good and evil and remake humanity. We discuss depictions of evil within Carpenter’s…
We discuss The Thin Red Line with Steven DeLay, after first going much deeper into Terrence Malick’s background. Considering many remarkable and little known facts about Malick’s biography, we analyze his relationship to the academia/media/intelligence culture creating complex. We then talk about Malick’s late 90s epic war film The Thin Red Line, discussing whether the…
The guys went on the podcast Debra Gets Red Pilled for a fun conversation about the influential horror film Jacob’s Ladder. It’s a movie that hits most major Psyop Cinema themes, including religious engineering, trauma-based experimentation, the psychedelia psyop, Gnosticism, and fetishization of dissociation. They talk about the highly suspicious drug experience that led to…
A look at the multi-layered psyop around Sound of Freedom, the popular recent Jim Caviezel film dealing with child sex trafficking. In contrast with the charged discourse around the film’s alleged QAnon themes, Thomas and Brett analyze the subtle quality of the Monarch ‘dogwhistles’ actually present in the film. They discuss those involved in the…
Thomas and Brett’s appearance on William Ramsey’s show discussing Arlington Road, a 1999 thriller about domestic terrorism. They show how the film projects the tactics of intelligence services onto the militia movement, resulting in intense misdirection regarding events like Oklahoma City and Ruby Ridge. They also examine the predictably sus credits of the filmmakers, the…
Thomas and Mariana are joined by Jamie Hanshaw for a thorough examination of Disney’s sinister history. Jamie takes them through Disney’s deep state and occult connections, the life of Walt Disney, and how the parks themselves are a microcosm of the spell cast by the dark magic of imagineering. They then talk about Fantasia‘s probable…
Brett is joined by Steven DeLay to discuss Days of Heaven (1978), from Terrence Malick. An ethereal drama set in the Texas Panhandle of the early 20th century, Malick’s second film is a romance dealing with tragedy, jealousy, and deception, as well as a philosophically rich commentary on the loss of paradise. Brett and Steven…